{"id":464,"date":"2020-04-20T20:05:58","date_gmt":"2020-04-20T20:05:58","guid":{"rendered":"http:\/\/nevenlochhead.com\/?page_id=464"},"modified":"2024-06-26T01:31:11","modified_gmt":"2024-06-26T01:31:11","slug":"c-u-r-a-t-o-r-i-a-l","status":"publish","type":"page","link":"https:\/\/nevenlochhead.com\/?page_id=464","title":{"rendered":""},"content":{"rendered":"\n<p style=\"text-align: center;\"><em><strong><span style=\"font-family: helvetica, arial, sans-serif; font-size: 14pt;\">Knot Project Space<br><\/span><\/strong><\/em><span style=\"font-family: helvetica, arial, sans-serif; font-size: 12pt;\">SAW Video Media Art Centre<br>Ottawa<br>2016-2019<\/span><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Knot Project Space: Programming 2018-2019\" src=\"https:\/\/player.vimeo.com\/video\/383649945?dnt=1&amp;app_id=122963\" width=\"625\" height=\"352\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><br><span style=\"font-family: 'Avenir Light', arial, sans-serif; font-size: 12pt;\"><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\">As part of my role as Director of Programming at SAW Video Media Art Centre in Ottawa from 2016-2020, I founded its exhibition venue <em>Knot Project Space, <\/em>curating its first two years of exhibitions and related programming. The physical and technical design of the space, which I worked on within a team, sought to create a room that would be uniquely configured to present contemporary artists working experimentally with the moving image, sound and performance. Following its official opening in January 2018, I programmed a consistent series of time-based exhibitions with local and international artists, always positioning these alongside related discursive contexts such as lectures, panels and seminars, where the claims and positions in artworks and practices were rigorously unpacked, examined and extended. I operated the space with programming structures that prioritised, enabled and maintained a curatorial behaviour that was responsive to emergent interests, concerns and relationships that were occurring with the public assembling these adjacent discursive environments, through this actively involving local, artistic and intellectual cultures into the investigative momentums of the space&#8217;s operation. In addition to public presentation programming, Knot also cultivated various &#8216;working groups&#8217; &#8211; consortiums of artists, curators and critics who would assemble as temporary collective bodies pursuing a common line of inquiry, carrying out discussions and debates with visiting international artists, as well as executing non-standard score-based learning contexts, and producing collaborative prompt-driven artworks (see the<em> Groups<\/em> page for more information on these initiatives). Other enduring platforms and initiatives established through my three years as Director of Programming at SAW Video include the <em>Expanded Practice<\/em> residency, an intensive at <em>Knot Project Space<\/em> focused on exploring the materiality and physicality of video and sound, and <em>Knot Projections,<\/em> a long-term public art commissioning program whose first iteration culminated in an itinerant, city-wide public art exhibition titled <em>Imagining Publics,<\/em> which ran from August-November 2019 in Ottawa and four sequential sites around the city.&nbsp;<\/span><br><br><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\">A full archive of my curatorial work at <em>Knot Project Space<\/em> is collected below, with photos, video and sound recordings.<\/span><br><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\">All took place at the venue unless otherwise stated.&nbsp;<\/span><br><br><span style=\"font-family: Trattatello, arial, sans-serif;\"><span style=\"font-family: 'Avenir Light', arial, sans-serif;\"><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><strong>Exhibitions<br><\/strong><\/span><br><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><a href=\"http:\/\/nevenlochhead.com\/?page_id=610\"><em>Conakry,<\/em><\/a> Filipa C\u00e9sar.<\/span><br><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><a href=\"http:\/\/nevenlochhead.com\/?page_id=879(opens in a new tab)\" data-wplink-url-error=\"true\"><em>\u00fean-\u00fean, <\/em><\/a>The Confraternity of Neoflagellants.<\/span><br><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><a href=\"http:\/\/nevenlochhead.com\/?page_id=886(opens in a new tab)\" data-wplink-url-error=\"true\"><em>Akounak | Zerzura,<\/em><\/a> Mdou Moctar, Ahmoudou Madassane + Christopher Kirkley.<\/span><br><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><a href=\"http:\/\/nevenlochhead.com\/?page_id=903(opens in a new tab)\" data-wplink-url-error=\"true\"><em>Covenant Transport: Move or Die,<\/em><\/a> Amanda Beech.<\/span><br><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><a href=\"http:\/\/nevenlochhead.com\/?page_id=919(opens in a new tab)\" data-wplink-url-error=\"true\"><em>Public Syntax,<\/em><\/a> naakita feldman-kiss, Ivanie Aubin-Malo, Video in the Public Sphere Working Group, Henry Andersen, Anna Queen, Mara Eagle, Phil Rose + Molly Teitelbaum. Critical Distance, Toronto.<\/span><br><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><a href=\"http:\/\/nevenlochhead.com\/?page_id=927(opens in a new tab)\" data-wplink-url-error=\"true\"><em>Volatile Prophecies,<\/em><\/a> Patricia Reed.<\/span><br><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><a href=\"http:\/\/nevenlochhead.com\/?page_id=1914(opens in a new tab)\" data-wplink-url-error=\"true\"><em>Don&#8217;t Forget to Call,<\/em><\/a> Nelly Matorina.<\/span><br><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><em><a href=\"http:\/\/nevenlochhead.com\/?page_id=945(opens in a new tab)\" data-wplink-url-error=\"true\">Wednesdays, Before Piano.<\/a>,<\/em> naakita feldman-kiss.<\/span><br><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><a href=\"http:\/\/nevenlochhead.com\/?page_id=963(opens in a new tab)\" data-wplink-url-error=\"true\"><em>Video Rental Store,<\/em><\/a> Under New Management.<\/span><br><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><a href=\"http:\/\/nevenlochhead.com\/?page_id=975(opens in a new tab)\" data-wplink-url-error=\"true\"><em>All Things Being Equal,<\/em><\/a> Mara Eagle, Anna Queen, Henry Andersen + Phil Rose.<\/span><br><br><span style=\"font-family: Trattatello, arial, sans-serif;\"><span style=\"font-family: 'Avenir Light', arial, sans-serif;\"><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><strong>Performances<\/strong><\/span><br><br><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><a href=\"http:\/\/nevenlochhead.com\/?page_id=989(opens in a new tab)\" data-wplink-url-error=\"true\"><em>Documents,<\/em><\/a> Autumn Knight. Arts Court Courtroom, Ottawa. <\/span><br><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><a href=\"http:\/\/nevenlochhead.com\/?page_id=999(opens in a new tab)\" data-wplink-url-error=\"true\"><em>Kempelen&#8217;s Breath,<\/em><\/a> VOR (Andrea Roberts). Arts Court Courtroom, Ottawa. <\/span><br><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><a href=\"http:\/\/nevenlochhead.com\/?page_id=1013(opens in a new tab)\" data-wplink-url-error=\"true\"><em>*219 Condemnations, Alive!<\/em><\/a> The Confraternity of Neoflagellants. <\/span><br><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><a href=\"http:\/\/nevenlochhead.com\/?page_id=1750(opens in a new tab)\" data-wplink-url-error=\"true\"><em>*219 Heretical Marginalia, Alive!<\/em><\/a> The Confraternity of Neoflagellants. <\/span><br><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><i><a href=\"http:\/\/nevenlochhead.com\/?page_id=1035(opens in a new tab)\" data-wplink-url-error=\"true\">O\u00f9 sont les anc\u00eatres?<\/a>&nbsp;<\/i>Ivanie Aubin-Malo. <\/span><br><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><a href=\"http:\/\/nevenlochhead.com\/?page_id=1049(opens in a new tab)\" data-wplink-url-error=\"true\"><em>Listener,<\/em><\/a> Suzanne Kite. <\/span><br><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><a href=\"http:\/\/nevenlochhead.com\/?page_id=1054(opens in a new tab)\" data-wplink-url-error=\"true\"><em>Wampum,<\/em><\/a> Elisa Harkins. Club SAW, Ottawa. <\/span><br><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><a href=\"http:\/\/nevenlochhead.com\/?page_id=1058(opens in a new tab)\" data-wplink-url-error=\"true\"><em>Breathing [Now and Then],<\/em><\/a> Skin Tone. Club SAW, Ottawa. <\/span><br><br><span style=\"font-family: Trattatello, arial, sans-serif;\"><span style=\"font-family: 'Avenir Light', arial, sans-serif;\"><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><strong>Screenings<br><\/strong><\/span><br><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><a href=\"http:\/\/nevenlochhead.com\/?page_id=1068(opens in a new tab)\" data-wplink-url-error=\"true\"><em>Spell Reel,<\/em><\/a> Filipa C\u00e9sar.<\/span><br><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><a href=\"http:\/\/nevenlochhead.com\/?page_id=1077(opens in a new tab)\" data-wplink-url-error=\"true\"><em>\u00c9douard Glissant: One World in Relation,<\/em><\/a> Manthia Diawara.<\/span><br><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><a href=\"http:\/\/nevenlochhead.com\/?page_id=1083(opens in a new tab)\" data-wplink-url-error=\"true\"><em>Tonsler Park,<\/em><\/a> Kevin Jerome Everson.&nbsp;<\/span><br><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><a href=\"http:\/\/nevenlochhead.com\/?page_id=2603(opens in a new tab)\" data-wplink-url-error=\"true\"><em>The Common Cinema,<\/em><\/a> Transgender Media Portal, Kind Space, Cinema Politica, MAX Ottawa + Visual AIDS.<\/span><br><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><a href=\"http:\/\/nevenlochhead.com\/?page_id=1091(opens in a new tab)\" data-wplink-url-error=\"true\"><em>Good Luck,<\/em><\/a> Ben Russell. National Gallery of Canada, Ottawa.<\/span><br><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><a href=\"http:\/\/nevenlochhead.com\/?page_id=1104(opens in a new tab)\" data-wplink-url-error=\"true\"><em>Routine Nihilism,<\/em><\/a> Gary Kibbins. <\/span><br><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><a href=\"http:\/\/nevenlochhead.com\/?page_id=1111(opens in a new tab)\" data-wplink-url-error=\"true\"><em>We Chose the Milky Way,<\/em><\/a> Eva Marie Rodbro + <em>Dear Lorde,<\/em> Duke + Battersby. Club SAW, Ottawa.&nbsp;<\/span><br><br><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><strong>Working Groups<br><br><\/strong><a href=\"https:\/\/nevenlochhead.com\/?page_id=2767\">Knot Working Group<\/a>, 2019<\/span><br><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><a href=\"https:\/\/nevenlochhead.com\/?page_id=2769\">Video in the Public Sphere<\/a>, 2018 &#8211; 2019<\/span><br><br><span style=\"font-family: Trattatello, arial, sans-serif;\"><span style=\"font-family: 'Avenir Light', arial, sans-serif;\"><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><strong>Public Art<\/strong><\/span><br><br><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><a href=\"http:\/\/nevenlochhead.com\/?page_id=1122(opens in a new tab)\" data-wplink-url-error=\"true\"><em>The Future is Up,<\/em><\/a> Sasha Phipps. STEM Complex, uOttawa. Ottawa.<\/span><br><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><a href=\"http:\/\/nevenlochhead.com\/?page_id=1135(opens in a new tab)\" data-wplink-url-error=\"true\"><em>Tranquil Traffic,<\/em><\/a> Maayke Schurer. STEM Complex, uOttawa. Ottawa.<\/span><br><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><a href=\"http:\/\/nevenlochhead.com\/?page_id=1160(opens in a new tab)\" data-wplink-url-error=\"true\"><em>we only liberate ourselves by binding our liberations to those of one another,<\/em><\/a>&nbsp;Pansee Atta. Victoria Island Hydro Station. Ottawa.<\/span><br><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><em><a href=\"http:\/\/nevenlochhead.com\/?page_id=1172(opens in a new tab)\" data-wplink-url-error=\"true\">Don&#8217;t Believe the Hype!<\/a>,<\/em> Ryan Conrad. Bank Street \/ Ottawa Gay Village. Ottawa.<\/span><br><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><a href=\"http:\/\/nevenlochhead.com\/?page_id=1195(opens in a new tab)\" data-wplink-url-error=\"true\"><em>Open Water,<\/em><\/a> H\u00e9lene Lefebvre. Les Suites parking garage. Ottawa.<\/span><br><br><span style=\"font-family: Trattatello, arial, sans-serif;\"><span style=\"font-family: 'Avenir Light', arial, sans-serif;\"><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><strong>Talks + Panels<\/strong><\/span><br><br><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><em><a href=\"http:\/\/nevenlochhead.com\/?page_id=1207(opens in a new tab)\" data-wplink-url-error=\"true\">Meteorisations | Reading Amilcar Cabral&#8217;s Agro-Poetics of Liberation,<\/a> <\/em>Filipa C\u00e9sar. <em><br><a href=\"http:\/\/nevenlochhead.com\/?page_id=1223(opens in a new tab)\" data-wplink-url-error=\"true\">We Only Liberate Ourselves,<\/a><\/em> Pansee Atta, Andi Vicente + Alexis Shotwell. Mill Street Event Space, Ottawa. <\/span><br><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><a href=\"http:\/\/nevenlochhead.com\/?page_id=1237(opens in a new tab)\" data-wplink-url-error=\"true\"><em>Don&#8217;t Believe the &#8217;69 Hype,<\/em><\/a> Ryan Conrad, Tom Hooper, Ummni Khan + Darrah Teitel. <\/span><br><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><a href=\"http:\/\/nevenlochhead.com\/?page_id=2124(opens in a new tab)\" data-wplink-url-error=\"true\"><em>In Dialogue,<\/em><\/a> H\u00e9l\u00e8ne Lefebvre + Jean-Michel Quirion. <\/span><br><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><a href=\"http:\/\/nevenlochhead.com\/?page_id=1243(opens in a new tab)\" data-wplink-url-error=\"true\"><em>Constructing Time,<\/em><\/a> Amanda Beech. Critical Distance, Toronto. <\/span><br><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><a href=\"http:\/\/nevenlochhead.com\/?page_id=1262(opens in a new tab)\" data-wplink-url-error=\"true\"><em>Art&#8217;s Possible Worlds,<\/em><\/a> Amanda Beech. <\/span><br><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><a href=\"http:\/\/nevenlochhead.com\/?page_id=1277(opens in a new tab)\" data-wplink-url-error=\"true\"><em>Reconstructing Screen Experiments from Expo 67&#8217;s Archives,<\/em><\/a> Monika Kin Gagnon. <\/span><br><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><a href=\"http:\/\/nevenlochhead.com\/?page_id=1303(opens in a new tab)\" data-wplink-url-error=\"true\"><em>The Public Sphere(s) of Massive Media,<\/em><\/a> Dave Colangelo. <\/span><br><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><a href=\"http:\/\/nevenlochhead.com\/?page_id=1310(opens in a new tab)\" data-wplink-url-error=\"true\"><em>Promiscuous Publicness and the Uncommon In-Common,<\/em><\/a> Patricia Reed. <\/span><br><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><a href=\"http:\/\/nevenlochhead.com\/?page_id=1336(opens in a new tab)\" data-wplink-url-error=\"true\"><em>Intergenerational Practice,<\/em><\/a> naakita feldman-kiss, Nelly Matorina, Ivanie Aubin-Malo + Laura Taler. <\/span><br><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><a href=\"http:\/\/nevenlochhead.com\/?page_id=1346(opens in a new tab)\" data-wplink-url-error=\"true\"><em>Video Rental Store Discussion,<\/em><\/a> Suzanne Carte, Alison Creba + Ben Gianni. <\/span><br><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><a href=\"http:\/\/nevenlochhead.com\/?page_id=1355(opens in a new tab)\" data-wplink-url-error=\"true\"><em>Psychedelic Ethnography,<\/em><\/a> Ben Russell. <\/span><br><br><span style=\"font-family: Trattatello, arial, sans-serif;\"><span style=\"font-family: 'Avenir Light', arial, sans-serif;\"><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><strong>Coordinated Workshops, Seminars + Residencies<\/strong><\/span><br><br><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><a href=\"http:\/\/nevenlochhead.com\/?page_id=1374(opens in a new tab)\" data-wplink-url-error=\"true\"><em>Expanded Practice,<\/em><\/a> Shani K Parsons. (Residency)<\/span><br><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><a href=\"http:\/\/nevenlochhead.com\/?page_id=1378(opens in a new tab)\" data-wplink-url-error=\"true\"><em>Cold Read,<\/em><\/a> Andrea Roberts. (Workshop)<\/span><br><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><a href=\"http:\/\/nevenlochhead.com\/?page_id=1405(opens in a new tab)\" data-wplink-url-error=\"true\"><em>Second Tongues,<\/em><\/a> Serena Lee. (Workshop) <\/span><br><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><a href=\"http:\/\/nevenlochhead.com\/?page_id=1414(opens in a new tab)\" data-wplink-url-error=\"true\"><em>Shift \/ Work: [STATIC] Speculations,<\/em><\/a> Neil Mulholland + Norman Hogg. (Workshop)<\/span><br><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><a href=\"http:\/\/nevenlochhead.com\/?page_id=1430(opens in a new tab)\" data-wplink-url-error=\"true\"><em>Expanded Practice,<\/em><\/a> Marc-Alexandre Reinhardt. (Residency)<\/span><br><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><a href=\"http:\/\/nevenlochhead.com\/?page_id=1439(opens in a new tab)\" data-wplink-url-error=\"true\"><em>Expanded Practice,<\/em><\/a> Laura Taler. (Residency)<\/span><br><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><a href=\"http:\/\/nevenlochhead.com\/?page_id=1445(opens in a new tab)\" data-wplink-url-error=\"true\"><em>Theories of Sensory Implication for Public Art,<\/em><\/a> Dylan Robinson. (Seminar)<\/span><br><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><a href=\"http:\/\/nevenlochhead.com\/?page_id=1449(opens in a new tab)\" data-wplink-url-error=\"true\"><em>Art and the Conception of Reality,<\/em><\/a> Amanda Beech. (Seminar)<\/span><br><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\"><a href=\"http:\/\/nevenlochhead.com\/?page_id=1461(opens in a new tab)\" data-wplink-url-error=\"true\"><em>The Space around the Screen,<\/em><\/a> Dave Colangelo. (Seminar)<\/span><br><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Knot Project SpaceSAW Video Media Art CentreOttawa2016-2019 As part of my role as Director of Programming at SAW Video Media Art Centre in Ottawa from 2016-2020, I founded its exhibition venue Knot Project Space, curating its first two years of exhibitions and related programming. The physical and technical design of the space, which I worked [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-464","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/nevenlochhead.com\/index.php?rest_route=\/wp\/v2\/pages\/464","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nevenlochhead.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/nevenlochhead.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/nevenlochhead.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nevenlochhead.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=464"}],"version-history":[{"count":5,"href":"https:\/\/nevenlochhead.com\/index.php?rest_route=\/wp\/v2\/pages\/464\/revisions"}],"predecessor-version":[{"id":3994,"href":"https:\/\/nevenlochhead.com\/index.php?rest_route=\/wp\/v2\/pages\/464\/revisions\/3994"}],"wp:attachment":[{"href":"https:\/\/nevenlochhead.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=464"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}